Fri, Dec 5, 2008
3:00 PM

New Museum theater (directions)

Night School Public Seminar 10: Walid Raad and Jalal Toufic, The Withdrawal of Tradition Past a Surpassing Disaster

Part of Night School, Exhibition Related
 
Discussions

Please note time change to accommodate live webcast with Jalal Toufic in Istanbul

Days 2 and 3 are dedicated to an introduction by Jalal Toufic of his concept of "the withdrawal of tradition past a surpassing disaster." Toufic speaks about how the concept developed in his thinking with readings from his works Forthcoming and Oversensitivity, and clips from various films.

Led by Walid Raad and Jalal Toufic, this seminar series explores Toufic’s concept of “the withdrawal of tradition past a surpassing disaster,” which he first advanced in Over-Sensitivity (1996) and then elaborated further in his books Forthcoming (2000). To detect this withdrawal, whether symptomatically or otherwise, one is well advised to look for it in messianic movements as well as in artistic and literary works: “With regard to the surpassing disaster, art acts like the mirror in vampire films: it reveals the withdrawal of what we think is still there. ‘You have seen nothing in Hiroshima’ [Hiroshima mon amour]. Does this entail that one should not record? No. One should record this ‘nothing,’ which only after the resurrection can be available.” Raad and Toufic ask if and how one can record this “nothing,” as well as how to contribute to the resurrection of the withdrawn tradition—without this resurrection tradition becomes a counterfeit of itself. The seminar will consist of a series of close readings of Toufic’s writings.

Suggested books and texts
Jalal Toufic, “Credits Included,” Over-Sensitivity, Los Angeles: Sun & Moon Press, 1996, pp. 64-95.
-----, “Forthcoming,” Forthcoming, Berkeley, CA: Atelos, 2000, pp. 47-75.
-----, Distracted, 2nd ed., Berkeley, CA: Tuumba Press, 2003, pp. 82–92.

All texts are available in the Night School installation, part of “Museum as Hub: Six Degrees.”

*This event is free with Museum admission but tickets are required. Tickets can be reserved online or at the Museum prior to the seminar's start.

Sponsors TOP

Night School is part of the Museum as Hub, which is made possible by the Third Millennium Foundation.

Seeds of Tolerance

With additional generous support from Metlife Foundation

Additional support is provided by the Asian Cultural Council, National Endowment for the Arts, the New York City Department of Cultural Affairs, and the New York State Council on the Arts.

Endowment support is provided by the Rockefeller Brothers Fund, the Skadden, Arps Education Programs Fund, and the William Randolph Hearst Endowed Fund for Education Programs at the New Museum.

Profiles TOP

Walid Raad

Walid Raad (b. Lebanon) is an artist and an Associate Professor of Art at The Cooper Union (New York, USA). Raad’s works include The Atlas Group, a fifteen-year project between 1989 and 2004 about the contemporary history of Lebanon, and the ongoing project titled Scratching on Things I Could Disavow: A History of Modern and Contemporary Arab Art. His books include The Truth Will Be Known When The Last Witness Is Dead, My Neck Is Thinner Than A Hair, and Let’s Be Honest, The Weather Helped.

Raad’s works have been shown at Documenta 11 (Kassel), the Venice Biennial, the Hamburger Bahnhof (Berlin), the Museum of Modern Art (New York), Homeworks (Beirut), and numerous other museums and venues in Europe, the Middle East, and North America. Raad is also the recipient of the Alpert Award in Visual Arts (2007), the Deutsche Börse Photography Prize (2007), and the Camera Austria Award (2005).


Jalal Toufic

Jalal Toufic (b. Lebanon) is a thinker, writer, and artist presently based in Istanbul. He is the author of Distracted (1991; 2nd ed., 2003), (Vampires): An Uneasy Essay on the Undead in Film (1993; 2nd ed., 2003), Over-Sensitivity (1996), Forthcoming (2000), Undying Love, or Love Dies (2002), Two or Three Things I’m Dying to Tell You (2005), ‘Âshûrâ’: This Blood Spilled in My Veins (2005), and Undeserving Lebanon (2007). His videos and mixed-media works have been presented in such venues as Artists Space, New York; ICA, London; Centre Pompidou, Paris; Witte de With, Rotterdam; Fundació Antoni Tàpies, Barcelona; Kunsthalle Fridericianum, Kassel; and the 16th International Documentary Filmfestival Amsterdam (IDFA) in a “Focus Jalal Toufic” program. He co-edited the special Discourse issue Gilles Deleuze: A Reason to Believe in this World, and edited the special Discourse issues Middle Eastern Films Before Thy Gaze Returns to Thee and Mortals to Death as well as the Review of Photographic Memory. He has taught at the University of California at Berkeley; CalArts, Valencia, CA; DasArts, Amsterdam; and the Rijksakademie, Amsterdam; and he was a guest lecturer at the Piet Zwart Institute, Rotterdam, in 2007. He is currently a Professor at Kadir Has University in Istanbul.