1/15/09 - 3/29/09
Museum as Hub space, 5th floor
Museum as Hub: Be(com)ing Dutch at a Distance
Be(com)ing Dutch is a large project developed over two years both inside and outside the Van Abbemuseum in Eindhoven, the Netherlands. Consisting of debates, reading groups, artist's projects, exhibitions, and residencies, it interrogated various forms of collective participation and production. As questions of cultural identity and normative “national” values become ever more of an issue in political and cultural debate, Be(com)ing Dutch asks whether art can offer alternative examples of thinking about how we can live together today.
Like the Be(com)ing Dutch exhibition in Eindhoven, “Museum as Hub: Be(com)ing Dutch at a Distance” at the New Museum is guided by three broad directional themes: Imagined Past, Imagined Present, and Imagined Future. Michael Blum’s installation Exodus 2048 transforms the Museum as Hub space for the duration of the exhibition, representing an Imagined Future where the museum itself serves as a fictional camp for Israeli refugees. The Imagined Present is represented in Lidwien van de Ven’s Freedom of Expression, originally an installation at the Van Abbemuseum and re-created here as a poster in the Museum as Hub newspaper and a special presentation and screening organized by the artist to consider the issues of Islamaphobia, new right-wing thinking in Europe, and the politics of citizenship and immigration. Finally, screenings of Johan van der Keuken’s film I love $ in the New Museum theater reference the Imagined Past: the film shows an almost prophetic and still-topical treatment of global capitalism.
The exhibition and the entire Be(com)ing Dutch two-year project concludes with the project’s book launch and closing reception on March 27.
For more information about Be(com)ing Dutch, please visit becomingdutch.com.
Organized by Charles Esche, Director, and Annie Fletcher, Exhibitions Curator, Van Abbemuseum, Eindhoven.
A partnership of five international arts organizations, Museum as Hub is a new model for curatorial practice and institutional collaboration established to enhance our understanding of contemporary art. Both a network of relationships and an actual physical site located in the New Museum Education Center, Museum as Hub is conceived as a flexible, social space designed to engage audiences through multimedia workstations, exhibition areas, screenings, symposia, and events. Initiated by the New Museum in 2006, the partnership includes Insa Art Space (Seoul, South Korea); Museo Tamayo Arte Contemporáneo (Mexico City, Mexico); Townhouse Gallery of Contemporary Art (Cairo, Egypt); and Van Abbemuseum (Eindhoven, the Netherlands).
Sponsors TOP
Museum as Hub is made possible by the Third Millennium Foundation.

With additional generous support from
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Additional support is provided by the Asian Cultural Council, the National Endowment for the Arts, the New York City Department of Cultural Affairs, and the New York State Council on the Arts.
Endowment support is provided by the Rockefeller Brothers Fund, the Skadden, Arps Education Programs Fund, and the William Randolph Hearst Endowed Fund for Education Programs at the New Museum.
The Mondriaan Foundation awarded its 2006 Development Prize for Cultural Diversity to the Van Abbemuseum for the Be(com)ing Dutch project. Within the project's framework, the museum has organized a diversity of gatherings and a large-scale exhibition over the last two years.
Be(com)ing Dutch has been made possible with the support of:
Profiles TOP
Michael Blum
Michael Blum (b. 1963, Jerusalem) is an artist and writer based in Vienna. His work aims at critically re-reading the production of culture, myths, and history. Recent projects include A Tribute to Safiye Behar, 9th Istanbul Biennial (2005); Lippmann, Rosenthal & Co., De Appel, Amsterdam (2006); Cape Town - Stockholm (On Thembo Mjobo), Mobile Art Production, Stockholm (2007); and Exodus 2048, Van Abbemuseum, Eindhoven (2008), in the framework of “Be(com)ing Dutch.”
http://www.blumology.netLidwien van de Ven
Lidwien van de Ven (b. Hulst, 1963) is an artist who works in the realm of political and religious subjects. In her research she takes a rather journalistic approach, gathering material and delving into her subjects, though the work itself is not photojournalistic as such. Van de Ven’s presentations are made with monumental sized images brought together in carefully constructed installations. The images, photographed in Europe and the Middle-East, often record that which is outside the frame of news stories and investigate the frontier between reality and representation, image and language, news and contemporary history, while leaving whole the enigma of the visible. Her photographic installation document was shown as part of Documenta 12 in Kassel (2007). For Be(com)ing Dutch at the Van Abbemuseum, she produced the installation Freedom of Expression (2008), commissioned by the Van Abbemuseum for this show. She lives and works in Berlin and Rotterdam.
Johan van der Keuken
Johan van der Keuken (1938– 2001) was a Dutch documentary filmmaker, author, photographer, and teacher. He started experimenting with photography at the age of twelve, and five years later, in 1955, published his first book of photographs Wij zijn 17 (We are 17). After studying at the Institute of Cinematography in Paris (IDHEC), van der Keuken started making films. Around the same time, his first writings about photography and films began to appear in Dutch magazines. From 1977 onwards, he wrote a column in the Dutch film magazine Skrien called “Uit de wereld van een kleine zelfstandige” (“From the world of the self-employed”).
