Jennie C. Jones, Score for Sustained Blackness Set 3, 2016. Acrylic paint, collage on paper. Set of 10: each 20 × 16 in (50.8 × 40.6 cm). Courtesy the artist and PATRON, Chicago. Installation views, “Grief and Grievance: Art and Mourning in America,” 2021. Exhibition view: New Museum, New York. Photo: Dario Lasagni.
Join us for a conversation with artist Jennie C. Jones in dialogue with Gary Carrion-Murayari, Kraus Family Curator at the New Museum.
In conjunction with the exhibition “Grief and Grievance: Art and Mourning in America,” the New Museum is honored to host this conversation series and highlight the practices of artists participating in this exhibition.
This program will be presented via Zoom, register for this online program here.
Accessibility: we strive to make our programs as accessible as possible. For full accessibility information, including services available by request, please click here.
Jennie C. Jones (b. 1968, Cincinnati, Ohio) lives and works in Hudson, NY. Her work considers the relationship between music, histories of modernism, and Blackness. She consistently engages the possibilities of sound through various media, including painting, sculpture, works on paper, and audio collage. In Scores for Sustained Blackness, currently on view in “Grief and Grievance,” Jones created reimagined musical compositions with abstract formal structures, raising pertinent questions about duration, persistence, and resonance, both aesthetically and politically in America today.
She received a Master of Fine Arts in 1996 from Rutgers University’s Mason Gross School of the Arts and a Bachelor of Fine Arts in 1991 with Fellowship from the School of the Art Institute of Chicago, as well as Skowhegan School of Painting and Sculpture. Among her numerous awards, Jones is the recipient of the 2016 Robert Rauschenberg Award presented by the Foundation for Contemporary Art, a Joan Mitchel Award in 2013, and The Studio Museum in Harlem’s Joyce Alexander Wein Prize in 2012.
Jones’s work has been exhibited at major national and international art institutions including solo presentations at Prospect 5 (upcoming), New Orleans, LA (2021); Arts Club of Chicago, Chicago, IL (2020); Clark Art Institute, Williamstown, MA (2020); Phillip Johnson Glass House, New Canon, CT (2018); Contemporary Arts Museum, Houston, TX (2015); Hirshhorn Museum and Sculpture Garden, Washington, D.C. (2013); and The Kitchen, New York, NY (2011), among many others. Her work is included in the permanent collections of the Guggenheim Museum, Los Angeles County Museum of Art, The Museum of Modern Art, Smithsonian Institute’s Hirshhorn Museum and Sculpture Garden, The Studio Museum in Harlem, and many others.
Please note, this public program was previously scheduled for April 29 and has been rescheduled for Monday, April 26 at 2 PM EDT.