Featured Event
DEMO2024
06/05/2024
11AM
Screenings
Day With(out) Art 2021: ENDURING CARE
Cover Image:
Day With(out) Art logo. Courtesy of Visual AIDS
The program runs for approximately one hour with six screenings beginning on the hour from 12—5 p.m. Free with Museum admission. Please practice social distancing.
The New Museum is proud to partner with Visual AIDS for Day With(out) Art 2021 to present ENDURING CARE, a video program highlighting strategies of community care within the ongoing HIV epidemic. The program features newly commissioned work by Katherine Cheairs, Cristóbal Guerra, Danny Kilbride, Abdul-Aliy A. Muhammad and Uriah Bussey, Beto Pérez, Steed Taylor, and J Triangular and the Women’s Video Support Project.
From histories of harm reduction and prison activism to the long-term effects of HIV medication, ENDURING CARE centers stories of collective care, mutual aid, and solidarity while pointing to the negligence of governments and non-profits. The program’s title suggests a dual meaning, honoring the perseverance and commitment of care workers yet also addressing the potential for harm from medications and healthcare providers. ENDURING CARE disrupts the assumption that an epidemic can be solved with pharmaceuticals alone, recasting community work as a lasting form of medicine.
View the ENDURING CARE Resource Guide.
VIDEO SYNOPSES FOR EDURING CARE
Katherine Cheairs, Voices at the Gate
Voices at the Gate juxtaposes the bucolic landscapes inhabited by women’s prisons with archival and contemporary audio recordings of poems, essays, and interviews produced by women of color in the early 1990s at the intersection of incarceration and HIV & AIDS activism.
Cristóbal Guerra, Nobleza(s) de Sangre
Two fragmented interviews with artists living with HIV in Puerto Rico mediate an audiovisual invocation of the late Boricua poet Manuel Ramos Otero who passed away from complications of the virus in 1990. Guerra sets out to translate work Manuel deemed untranslatable, investigating the ongoing passions that informed his work.
Danny Kilbride, The Mersey Model
Danny Kilbride interviews Professor John Ashton, a public health official who helped institute the Mersey Model of Harm Reduction in Liverpool in 1986, the first government-funded needle exchange program in the United Kingdom.
Abdul-Aliy A. Muhammad and Uriah Bussey, #Medstrike: Confronting the Non-Profit Industrial Complex
A chronicle of Abdul-Aliy A. Muhammad’s 2017 medication strike against the Mazzoni Center, an LGBT health clinic in Philadelphia, and the direct-action campaign by the Black and Brown Workers Cooperative that preceded it.
Beto Pérez, In the Future
In the Future tells the stories of people living with HIV in Mexico who have been unable to access treatment because of government corruption and widespread theft and looting of medication.
Steed Taylor, I Am a Long-Term AIDS Survivor
Through a chorus of voices, Steed Taylor explores the difficulties of being a long-term AIDS survivor and the unexpected health problems facing many senior survivors.
J Triangular and the Women’s Video Support Project, 滴水希望 (Hope Drops)
A collaborative video project made with women living in Taiwan who use their cameras to process stress and stigma, and to share their experiences living with HIV.
About Visual AIDS
Visual AIDS is a New York-based non-profit that utilizes art to fight AIDS by provoking dialogue, supporting HIV+ artists, and preserving a legacy, because AIDS is not over.
Sponsors
This program is made possible, in part, by public funds from the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, and from the New York City Department of Cultural Affairs in partnership with the City Council.
Endowment support is provided by the Rockefeller Brothers Fund; the Skadden, Arps Education Programs Fund; and the William Randolph Hearst Endowed Fund for Education Programs at the New Museum.