Cover Image: Jeanine Oleson, Untitled, 2014. Intaglio print, 12 × 7 ¼ in (30.5 × 18.5 cm). Printed by Marina Ancona, 10 Grand Press. Courtesy the artist
Presented as part of “Jeanine Oleson: Hear, Here.”
The New Museum premieres an opera by Jeanine Oleson in conjunction with her exhibition “Hear, Here” (April 23–July 6). Beginning in a cave and ending on a mountain, the opera is presented in two acts that move paradoxically between absurd impossibility and a new terrain on which to voice agency.
During a five-month-long residency, Jeanine Oleson will develop a group of interrelated new works, constituting an exhibition titled “Hear, Here” public programs, workshops, a publication, and an experimental opera. The set and objects for the experimental opera (to be staged in the New Museum’s Theater this June) will be present during the run of the exhibition, forming an impromptu stage set or catalyst for a series of informal programs, mediated by invited guests in the gallery space, leading up to the final performance. An exploration of different kinds of voices—from the musical voice of opera to political acts of speech—Oleson’s project both investigates language and points beyond it. Looking for alternative models, “Hear, Here” asks questions such as: How can we attune ourselves to each other? Where is the agency in language? What does it really mean to listen?
“Jeanine Oleson: Hear, Here” is on view at the New Museum from April 22 to July 6, 2014, and is curated by Johanna Burton, Keith Haring Director and Curator of Education and Public Engagement.
Jeanine Oleson was born in Astoria, OR, in 1974. She attended the School of the Art Institute of Chicago, Rutgers University, and Skowhegan School of Painting and Sculpture. Oleson has exhibited and performed at venues including: Exit Art, NY; Beta Local, San Juan, Puerto Rico; X-Initiative, NY; Grand Arts, Kansas City, MO; Socrates Sculpture Park, NY; Diverseworks, Houston, TX; L.A.C.E., Los Angeles; Monya Rowe Gallery, NY; Samson Projects, Boston, MA; Gallery 400, University of Illinois at Chicago, IL; John Connelly Presents, NY; Bates College Museum of Art, ME; H&R Block Artspace, Kansas City Museum of Art, MO; Participant, Inc., NY; MoMA P.S.1, NY; Santa Fe Art Institute, NM; Pumphouse Gallery, London; White Columns, NY; and Art in General, NY. Oleson has received a Franklin Furnace Fellowship and a Jerome Foundation Travel and Study Grant in 2009; a Brooklyn Arts Council Community Arts Regrant (2008 and 2009); and a Professional Development Fellowship, College Art Association (1999–2000); and was in residence at Smack Mellon Studio Program, NY. She also published two books about performance projects in 2012, “What?” and “The Greater New York Smudge Cleanse.” Oleson is an Assistant Professor of Photography in the Department of Art, Media, and Technology at Parsons the New School for Design. She lives in Brooklyn, NY.