Justin Vivian Bond, My Model | My Self: I’ll Stand By You, 2015. Unique red carpet, barriers, red rope, photographer’s lamp, potted plant, books, two rolls of My Model | My Self wallpaper made in collaboration with George Venson of Voutsa, pink dress by Frank Masandrea (1947–1988), and performance, 93 × 95 3/4 × 78 3/4 in (236 × 243 × 200 cm). Courtesy the artist and VITRINE, London
Once a month, behind the glass of the Museum’s Lobby window, a red carpet will frame a scene: a still life that, if watched closely, betrays slight movements. As a part of “Trigger: Gender as a Tool and a Weapon,” Justin Vivian Bond will perform a public meditation “modeling” under a spotlight, staring blankly into the middle distance, as an homage to Karen Graham, the face of Estée Lauder cosmetics in the 1970s. Inspired by a rare video shot by Nick Knight of the print model in motion, Bond explores the awkwardness and inevitability of movement within seeming stillness. The artist will perform on three occasions, including December 1, World AIDS Day—which began in 1989 as A Day Without Art—to call attention to the countless luminaries being lost to HIV/AIDS, whose creative visions continue to shape our culture. For these performances, the artist has chosen to wear a vibrant pink dress designed by Frank Masandrea, a fashion designer who died of AIDS in 1988. Masandrea created several garments modeled by Graham in iconic photographs taken by Victor Skrebneski in the ’70s and early ’80s. In addition to this highly public performance, Bond’s fascination with Karen Graham is represented in “Trigger” by a series of watercolor drawings of Bond as Graham alongside drawings of Graham herself, which Bond has continuously created since childhood. The artist locates an appropriated mass-media image of femininity in Graham, which informs Bond’s practice in concert with their personal, lived experience.
Justin Vivian Bond (b. 1963) is an artist, performer, and activist residing in New York. Bond has had exhibitions at PARTICIPANT INC., New York (2011, 2016); Vitrine, London (2015); and Art Market Provincetown (2014). Bond has released multiple albums, and has appeared in many theatrical productions on and Off-Broadway and in the films Shortbus (2006), Sunset Stories (2012), Imaginary Heroes (2004), and Fanci’s Persuasion (1995). Bond has received numerous awards, including an Obie (2001), a Bessie (2004), and a Tony Nomination (2007).
Exhibition-related programs are made possible, in part, through the support of the New York City Department of Cultural Affairs in partnership with the City Council, and the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature.
Generous endowment support is provided by the Rockefeller Brothers Fund; the Skadden, Arps Education Programs Fund; and the William Randolph Hearst Endowed Fund for Education Programs at the New Museum.
Full support for “Trigger: Gender as a Tool and a Weapon” can be viewed here.
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