Critical Anthologies in Art and Culture
Our “Critical Anthologies in Art and Culture” series in collaboration with MIT Press has produced seminal academic texts that expand the art historical cannon to reflect the context of some of today’s most pressing issues, such as gender and race. These publications include: Mass Effect: Art and the Internet in the Twenty-First Century; Cornell, Lauren and Ed Halter, Eds. (2015); Public Servants: Art and the Crises of the Common Good; Burton, Johanna, Shannon Jackson, and Dominic Willsdon, Eds. (2016); and Trap Door: Trans Cultural Production and the Politics of Visibility; Burton, Johanna, Tourmaline, and Eric A. Stanley, Eds. (2017). Two of these publications—Trap Door and Public Servants—were recently listed as top ten art books of the decade by ARTnews. In summer 2020, we will publish Saturation: Race, Art, and the Circulation of Value; Snorton, C. Riley and Hentyle Yapp, Eds., which investigates questions of racial representation and structural change through the redistribution of resources via essays, conversations, discussions, and artist portfolios. In addition to their academic impact, these publications provide critical framing and serve as a structural impetus to action for our education and public engagement programs.
Out of Bounds
In addition, we regularly publish other volumes related to the Museum’s history and mission. The most recent example is Out of Bounds; Lisa Phillips, Johanna Burton, Alicia Ritson, Eds. with Kate Wiener (2019), jointly published by the Getty Research Institute and the New Museum. This text is the first anthology to assemble the writings of the groundbreaking art historian, critic, curator, and New Museum founder Marcia Tucker.
To learn more about New Museum publications and purchase individual texts, visit the New Museum store.