DIS, Studies for The Island, 2015. Codesigned by Mike Meiré. Courtesy the artists
Social shopping sites like Pinterest promise users consumerism without consumption, transferring the utility of goods to the mood that their images evoke. In this talk—part of a series of talks and performances that will take place at The Island (Ken) (2015), an installation by the artist collective DIS—writer Rob Horning will explore how the “the same gestures of appropriation also render those moods more volatile when they are put into play on the ever shifting terrain of the social graph. Signifying the self through such gestures comes to seem more imperative and more futile.”
Lead Support provided by the “Friends of the 2015 Generational Triennial”
Shelley Fox Aarons, Lonti Ebers, Ken Kuchin, and Toby Devan Lewis
Friends of the Generational Triennial:
Andrea Rosen Gallery
Lisa and David Barse
Alexandra Bowes and Stephen Williamson
James Keith Brown and Eric Diefenbach
Lisa Fayne Cohen and James Cohen
Sandra and Leo DelZotto
Marisa and David Droga
The John David and Signy Eaton Foundation
Rebecca and Martin Eisenberg
Charlotte Feng Ford
Tina Kim and Jae Chung
Mihail Lari and Scott Murray
Catriona and Simon Mordant
Mario Palumbo and Stefan Gargiulo
Lisa Roumell and Mark Rosenthal
Jerome L. and Ellen Stern
Courtney Finch Taylor
Laurie and David Wolfert
“Surround Audience” is made possible by the Andy Warhol Foundation for the Visual Arts and the Jacques and Natasha Gelman Foundation.
Artist commissions are generously supported by the Neeson / Edlis Artist Commissions Fund.
Additional support is provided by Fundación Almine y Bernard Ruiz-Picasso para el Arte, the International Leadership Council of the New Museum, and Carol and Arthur Goldberg. The accompanying publications were made possible, in part, by the Elizabeth Firestone Graham Foundation and the J. McSweeney and G. Mills Publications Fund at the New Museum. Education and community programs are supported, in part, by the American Chai Trust.
Generous support for artist residencies is provided by the Ford Foundation, the Robert Sterling Clark Foundation, Laurie Wolfert, and an anonymous donor.
Support for artist projects, travel, and research is provided by: Acción Cultural Española (AC/E), Aeroméxico, Artis, Asian Cultural Council, Czech Center New York, Iaspis – the Swedish Arts Grants Committee’s International Programme for Visual Artists, Institut Français, Mexican Cultural Institute of New York, Ministry of Foreign Affairs / Mexican Agency for International Development Cooperation (SRE/AMEXCID), Office for Contemporary Art Norway: OCA, Ostrovsky Family Foundation, Royal Norwegian Consulate General of New York, SAHA Association, Lisa Schiff, and VIA Art.
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