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Jeffrey Gibson: The Anthropophagic Effect

02/13/19-06/09/19

Multimedia artist Jeffrey Gibson (b. 1972, Colorado Springs, CO) is the Department of Education and Public Engagement’s spring 2019 artist-in-residence.

Cover Image:

“Jeffrey Gibson: The Anthropophagic Effect,” 2019. Exhibition view: New Museum, New York. Photo: Maris Hutchinson / EPW Studio

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Multimedia artist Jeffrey Gibson (b. 1972, Colorado Springs, CO) is the artist-in-residence for the Department of Education and Public Engagement’s Winter/Spring R&D Season: INHERITANCE. Gibson’s exhibition explores the material histories and futures of several Indigenous handcraft techniques and aesthetics, including Southeastern river cane basket weaving, Algonquian birch bark biting, and porcupine quillwork, as practiced by many tribes across this land long before European settlers arrived. The title “The Anthropophagic Effect” alludes to Oswald de Andrade’s legendary 1928 Anthropophagic Manifesto, which argued that indigenous communities could devour colonizers’ culture as a way of rejecting domination and radically transforming Western culture to their own ends. Gibson notes that Indigenous crafts and designs have “historically been used to signify identity, tell stories, describe place, and mark cultural specificity,” explaining, “I engage materials and techniques as strategies to describe a contemporary narrative that addresses the past in order to place oneself in the present and to begin new potential trajectories for the future.” Employing techniques learned over the course of the residency, Gibson has produced a new series of garments that will be activated through performances and staged photo shoots in the Fifth Floor Gallery.

This exhibition is curated by Johanna Burton, Keith Haring Director and Curator of Education and Public Engagement, and Sara O’Keeffe, Associate Curator, with Kate Wiener, Curatorial Assistant.

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Sponsors

Artist commissions at the New Museum are generously supported by the Neeson / Edlis Artist Commissions Fund.

Artist residencies are made possible, in part, by:
Laurie Wolfert
The Research & Residencies Council of the New Museum

Additional support is provided by the Toby Devan Lewis Emerging Artists Exhibitions Fund.

Special thanks to Sikkema Jenkins & Co.

Further exhibition support is provided, in part, by public funds from the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, and from the New York City Department of Cultural Affairs in partnership with the City Council.

Endowment support is provided by the Rockefeller Brothers Fund; the Skadden, Arps Education Programs Fund; and the William Randolph Hearst Endowed Fund for Education Programs at the New Museum.

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