“Screens Series: Agnieszka Polska” inaugurates the New Museum’s Screens Series, a platform for the presentation of new video works by emerging contemporary artists.
Agnieszka Polska , I Am the Mouth II, 2014 (still). HD video, sound, color; 5:45 min. Courtesy the artist and Żak | Branicka, Berlin
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“Screens Series: Agnieszka Polska” inaugurates the New Museum’s Screens Series, a platform for the presentation of new video works by emerging contemporary artists. Working primarily with digital animation, collage, and computer-generated imagery (CGI), Agnieszka Polska creates dreamlike films that explore the ways that language and visual iconography manifest themselves within contemporary consciousness. The ideas for many of the Polska’s works derive from her own scripts and poems, as the discovery of connections between words, and the surreal aspects of meaning that arise from their juxtaposition, commonly form the foundation of her films.
I Am the Mouth II (2014) features a pair of disembodied lips that is half-submerged in water and whispers seductively about the mechanisms by which words, in the form of sound waves, make their way through various materials including the viewer’s own body. The steady tone of the voice emanating from the lips hypnotizes the listener, revealing the subliminal influence artists have on their audiences. In Watery Rhymes (2014), individual words and short phrases float within a colorful, seemingly toxic liquid and behave according to the laws of quantum physics—constantly moving and overlapping one another, their meanings becoming increasingly indefinable as their forms dissolve.
Polska’s recent animations Guns (2014), The Leisure Time of Firearm (2015), and My Little Planet (2016) similarly present slow-paced, contemplative images that engage viewers directly and manipulate their senses through visuals and sounds. Seen together, this selection of videos highlights the ways in which her works investigate the intimate relationship between on-screen images and the physical and psychological response of the viewer—a relationship that has become increasingly direct in recent years due to the proliferation of electronic devices and the ubiquitous dissemination of visual and verbal information in our surroundings.
Agnieszka Polska (b. 1985, Lublin, Poland) lives and works in Berlin. She has had solo exhibitions at Nottingham Contemporary, UK (2014); Salzburger Kunstverein, Austria (2013); and the Centre for Contemporary Art, Ujazdowski Castle, Warsaw (2012). Her videos have also been included in screenings and group exhibitions at the Hirshhorn Museum and Sculpture Garden, Washington, DC (2016); Garage Museum of Contemporary Art, Moscow (2015); the Museum of Modern Art, New York (2015); the 19th Biennial of Sydney (2014); Palais de Tokyo, Paris (2014); the 13th Istanbul Biennial (2013); Tate Modern, London (2012); Museum of Modern Art, Warsaw (2012); the Institute of Contemporary Arts, London (2012); and KW Institute for Contemporary Art, Berlin (2011).
“Screens Series: Agnieszka Polska” is organized by Margot Norton, Associate Curator.
Polska’s videos will be screened in the New Museum Theater on Wednesdays from June 29 through August 3 in the following order: I Am the Mouth II, Watery Rhymes, Guns, The Leisure Time of Firearm, and My Little Planet.