Screens Series Online

The New Museum continues to present selected videos by artists featured in our program online.

Cover Image:

Dynasty Handbag, Vat Do You Vahnt for Bwekfas?, 2017 (still). Video, sound, color; 2:39 min. Courtesy the artist

In 2016, the New Museum inaugurated a platform for the presentation of new video works by emerging contemporary artists titled Screens Series. Encompassing a combination of screenings in the New Museum theater and on monitors on the Lower Level, the series has presented artists working with a range of media—from 16mm film to computer-generated imagery (CGI). When the Museum closed in March due to heightened concerns around the spread of COVID-19, we featured selected videos by Screens Series artists online, bringing art to the public at home. We also expanded the series to include other single-channel videos by artists who have exhibited at the New Museum in the past several years.

Cheryl Donegan, Scenes and Commercials, 1998, video, sound, color; 20:20 min. Courtesy the artist

Cheryl Donegan, Scenes and Commercials, 1998
From “Cheryl Donegan: Scenes and Commercials”
VIEW ARTWORK

Erika Vogt, Stranger Debris Roll Roll Roll, 2013 (still). Multi-channel video, sound, color. Courtesy the artist and Overduin and Co., Los Angeles

Erika Vogt, Stranger Debris Roll Roll Roll, 2013
From “Erika Vogt: Stranger Debris Roll Roll Roll”
VIEW ARTWORK

Marwa Arsanios, Have You Ever Killed a Bear? Or Becoming Jamila, 2013-2014 (still). HD video, color, sound; 26:19 min. Courtesy the artist.

Marwa Arsanios, Have You Ever Killed a Bear? Or Becoming Jamila, 2013-2014
From “Here and Elsewhere”
VIEW ARTWORK

Nina Sarnelle, Nike X and my Dead Hand, 2018–2019 (still). Video, sound, color; 72 min. Direction, edit & score: Nina Sarnelle. 3D animation: Sara Drake. Courtesy the artist

Nina Sarnelle, Nike X and my Dead Hand, 2018-2019
From “Screens Series: Nina Sarnelle”
VIEW ARTWORK

Ramin Haerizadeh, Rokni Haerizadeh, and Hesam Rahmanian, Dance after the Revolution, from Tehran to L.A., and back, 2020 (still). Single channel video with sound; 36:27 min. Courtesy the artists

Ramin Haerizadeh, Rokni Haerizadeh, and Hesam Rahmanian, Dance after the Revolution, from Tehran to L.A., and back, 2020
VIEW ARTWORK

Kaari Upson, In Search of the Perfect Double, 2017 (still). Video, color, sound; 36:18 min. Courtesy the artist, Massimo De Carlo, Sprüth Magers, and White Cube.

Kaari Upson, In Search of the Perfect Double, 2017
From “Kaari Upson: Good thing you are not alone”
VIEW ARTWORK

Wong Ping, Screen Shaver, 2014 (video still). Single-channel animation, sound, color; 2 min. Courtesy the artist, Tanya Bonakdar Gallery, New York / Los Angeles and Edouard Malingue Gallery, Hong Kong / Shanghai.

Wong Ping, Screen Shaver, 2014
From “2018 New Museum Triennial: Songs for Sabotage.”
VIEW ARTWORK

Jessica Wilson, Smile Driver, 2019 (still). Computer generated animation; 7:56 min. Courtesy the artist and PAGE (NYC.)

Jessica Wilson, Smile Driver, 2019
From “Screens Series: Jessica Wilson.”
VIEW ARTWORK

Evi Kalogiropoulou, Neighbours, 2018 (still). Single-channel video, color, sound; 7 min. Courtesy the artist and The Breeder, Athens.

Evi Kalogiropoulou, Neighbours, 2018
From “Same River Twice.”
VIEW ARTWORK

Laure Prouvost, How To Make Money Religiously, 2014 (video still). Single-channel video, sound, color; 8 min 43 sec. Courtesy the artist and Galerie Nathalie Obadia (Paris and Brussels), carlier | gebauer (Berlin and Madrid) and Lisson Gallery (London, New York, and Shanghai)

Laure Prouvost, How To Make Money Religiously, 2014
From “For Forgetting.”
VIEW ARTWORK

Nathalie Djurberg and Hans Berg, Dark Side of the Moon, 2017 (still). Stop motion animation, color, sound; 6:40 min. Courtesy the artists, Tanya Bonakdar Gallery, New York / Los Angeles, Lisson Gallery, London / Shanghai and Gio Marconi, Milan.

Nathalie Djurberg and Hans Berg, Dark Side of the Moon, 2017
From “The Parade: Nathalie Djurberg with music by Hans Berg.”
VIEW ARTWORK

Jonathas de Andrade, O peixe [The Fish], 2016 (still). 16mm film transferred to 2K video, 5.1 sound, color; 38 min. Courtesy Alexander and Bonin, New York, and Galeria Vermelho, São Paulo. Produced by Desvia and the Wexner Center for the Arts with support from the Pernambuco Cultural Incentive Fund

Jonathas de Andrade, O peixe [The Fish], 2016
From “Jonathas de Andrade: O Peixe.”
VIEW ARTWORK

Nathaniel Mellors, The Sophisticated Neanderthal Interview, 2014 (still). 35mm film transferred to HD video, sound, color; 23 min 19 sec; Courtesy the artist and The Box, Los Angeles.

Nathaniel Mellors, The Sophisticated Neanderthal Interview, 2014
From “Nathaniel Mellors: Progressive Rocks.”
VIEW ARTWORK

Hiwa K, Pre-Image (Blind as the Mother Tongue), 2017 (still). Digital video, sound, color; 17:40 min. Courtesy the artist; KOW, Berlin; and prometeogallery di Ida Pisani, Milan/Lucca.

Hiwa K, Pre-Image (Blind as the Mother Tongue), 2017
From “Hiwa K: Blind as the Mother Tongue.”
VIEW ARTWORK

Manolis D. Lemos, dusk and dawn look just the same (riot tourism), 2017 (still). Single-channel video, sound, color; 3 min. Courtesy the artist and CAN Christina Androulidaki Gallery, Athens.

Manolis D. Lemos, dusk and dawn look just the same (riot tourism), 2017
From “2018 Triennial: Songs for Sabotage.”
VIEW ARTWORK

Mariah Garnett, Encounters I May Or May Not Have Had With Peter Berlin, 2010 (still). 16 mm film installation, sound, color; 14 min 14 sec. Courtesy Commonwealth and Council, Los Angeles.

Mariah Garnett, Encounters I May Or May Not Have Had With Peter Berlin, 2010
From ““Trigger: Gender as a Tool and a Weapon.”
VIEW ARTWORK

Cheng Ran, _The Homing Pigeon), 2015 (still). Single-channel video, sound, color; 5 min 54 sec. Courtesy the artist.

Cheng Ran, The Homing Pigeon, 2015
From “Cheng Ran: Diary of a Madman.”
VIEW ARTWORK

House of LaDosha, Opening Sequence, 2015 (still). Video, sound, color; 30 sec. Courtesy the artists

House of LaDosha, Opening Sequence, 2015
From “Trigger: Gender as a Tool and a Weapon.”
VIEW ARTWORK

Agnieszka Polska, My Little Planet, 2016 (still). HD video, sound, color; 7:58 min. Courtesy the artist, Overduin & Co., Los Angeles

Agnieszka Polska, My Little Planet, 2016
From “Screens Series: Agnieszka Polska.”
VIEW ARTWORK

Artor Jesus Inkerö, BUBBLE, (2017) (still). Full HD video, sound, color; 18:22 min. Music: KOI. Courtesy the artist

Artor Jesus Inkerö, BUBBLE, 2017
From “Screens Series: Artor Jesus Inkerö.”
VIEW ARTWORK

Fern Silva, Ride Like Lightning, Crash Like Thunder, (2017) (still). 16mm/DCP, color, sound; 8 min. Courtesy the artist

Fern Silva,Ride Like Lightning, Crash Like Thunder, 2017
From “Screens Series: Fern Silva.”
VIEW ARTWORK

Eva Papamargariti, Factitious Imprints (2016) (still). HD video, color, sound; 9:17 min. Courtesy the artist

Eva Papamargariti,Factitious Imprints, 2016
From “Screens Series: Eva Papamargariti.”
VIEW ARTWORK

Rodrigo Valenzuela, Diamond Box (2013) (still). HD digital video, sound, color; 4:16 min. Courtesy the artist and Upfor Gallery

Rodrigo Valenzuela,Diamond Box, 2013
From “Screens Series: Rodrigo Valenzuela.”
VIEW ARTWORK

Gregory Kalliche, The Greatest Arrogance, 2016. Single-channel HD anamorphic video with sound; 3:23 min. Courtesy the artist

Gregory Kalliche,The Greatest Arrogance, 2016
From “Screens Series: Gregory Kalliche.”
VIEW ARTWORK

Ahaad Alamoudi, NIUN, 2018. HD video, sound, color; 7:03 min. In collaboration with Michael Mogensen. Courtesy the artist and Athr Gallery, Jeddah.

Ahaad Alamoudi,NIUN, 2018
From “Screens Series: Ahaad Alamoudi.”
VIEW ARTWORK

Naufus Ramírez-Figueroa, The Print of Sleep, 2016. Performance documentation, color, sound; 15 min. Courtesy the artist; Mendes Wood DM; Proyectos Ultravioleta, Guatemala City; and Sies + Höke, Dusseldorf.

Naufus Ramírez-Figueroa,The Print of Sleep, 2016
From “Screens Series: Naufus Ramírez-Figueroa.”
VIEW ARTWORK

Heather Phillipson, TRUE TO SIZE, 2016. One part of a seven-part HD video, sound, color; 1:57 min. Commissioned by Arts Council Collection, UK. Courtesy the artist.

Heather Phillipson,TRUE TO SIZE, 2016
From “Screens Series: Heather Phillipson.”
VIEW ARTWORK

Dynasty Handbag, Vat Do You Vahnt for Bwekfas?, 2017 (still). Video, sound, color; 2:39 min. Courtesy the artist

Dynasty Handbag, Vat Do You Vahnt for Bwekfas?, 2017
From “Screens Series: Dynasty Handbag.”
VIEW ARTWORK

Sara Magenheimer, Art and Theft (2017) (still). HD video, color, sound; 7:22 min. Courtesy the artist

Sara Magenheimer, Art and Theft, 2017
From “Screens Series: Sara Magenheimer.”
VIEW ARTWORK

Virginia Lee Montgomery, CUT COPY SPHINX, 2018 (still). 4K digital video, sound, color; 3:30 min. Courtesy the artist.

Virginia Lee Montgomery, CUT COPY SPHINX, 2018
From “Screens Series: Virginia Lee Montgomery.”
VIEW ARTWORK

Helene Nymann, MOL (2017) (still). HD video, sound, color; 11:20 min. Courtesy the artist

Helene Nymann, MOL, 2017
From “Screens Series: Helene Nymann.”
VIEW ARTWORK

Luiz Roque, Zero, 2019. HD video, sound, color; 5:30 min. Courtesy the artist and Mendes Wood DM

Luiz Roque, Zero, 2019
From “Screens Series: Luiz Roque.”
VIEW ARTWORK

Kate Cooper, Infection Drivers, 2019 (still). Video, sound, color; 7:29 min. Courtesy the artist

Kate Cooper, Infection Drivers, 2019
From “Screens Series: Kate Cooper.”
April 29, 2020–October 9, 2020.

Randa Maroufi, Le ParK, 2015 (still.) Single-channel video, sound, color; 14 min. Production by Le Fresnoy. Courtesy the artist

Randa Maroufi, Le ParK, 2015
From “Screens Series: Randa Maroufi.”
April 7, 2020–October 9, 2020.

New ExhibitionsHello Museum

Now on View