Through the end of 2020, we present selected videos by artists featured in our program online.
Dynasty Handbag, Vat Do You Vahnt for Bwekfas?, 2017 (still). Video, sound, color; 2:39 min. Courtesy the artist
Online Get Directions
In 2016, the New Museum inaugurated a platform for the presentation of new video works by emerging contemporary artists titled Screens Series. Encompassing a combination of screenings in the New Museum theater and on monitors on the Lower Level, the series has presented artists working with a range of media—from 16mm film to computer-generated imagery (CGI). When the Museum closed in March due to heightened concerns around the spread of COVID-19, we featured selected videos by Screens Series artists online, bringing art to the public at home. We also expanded the series to include other single-channel videos by artists who have exhibited at the New Museum in the past several years.
Kaari Upson, In Search of the Perfect Double, 2017
From “Kaari Upson: Good thing you are not alone”
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Wong Ping, Screen Shaver, 2014
From “2018 New Museum Triennial: Songs for Sabotage.”
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Jessica Wilson, Smile Driver, 2019
From “Screens Series: Jessica Wilson.”
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Evi Kalogiropoulou, Neighbours, 2018
From “Same River Twice.”
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Laure Prouvost, How To Make Money Religiously, 2014
From “For Forgetting.”
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Nathalie Djurberg and Hans Berg, Dark Side of the Moon, 2017
From “The Parade: Nathalie Djurberg with music by Hans Berg.”
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Jonathas de Andrade, O peixe [The Fish], 2016
From “Jonathas de Andrade: O Peixe.”
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Nathaniel Mellors, The Sophisticated Neanderthal Interview, 2014
From “Nathaniel Mellors: Progressive Rocks.”
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Hiwa K, Pre-Image (Blind as the Mother Tongue), 2017
From “Hiwa K: Blind as the Mother Tongue.”
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Manolis D. Lemos, dusk and dawn look just the same (riot tourism), 2017
From “2018 Triennial: Songs for Sabotage.”
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Mariah Garnett, Encounters I May Or May Not Have Had With Peter Berlin, 2010
From ““Trigger: Gender as a Tool and a Weapon.”
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Cheng Ran, The Homing Pigeon, 2015
From “Cheng Ran: Diary of a Madman.”
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House of LaDosha, Opening Sequence, 2015 (still). Video, sound, color; 30 sec. Courtesy the artists
House of LaDosha, Opening Sequence, 2015
From “Trigger: Gender as a Tool and a Weapon.”
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Agnieszka Polska, My Little Planet, 2016
From “Screens Series: Agnieszka Polska.”
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Artor Jesus Inkerö, BUBBLE, 2017
From “Screens Series: Artor Jesus Inkerö.”
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Fern Silva,Ride Like Lightning, Crash Like Thunder, 2017
From “Screens Series: Fern Silva.”
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Eva Papamargariti,Factitious Imprints, 2016
From “Screens Series: Eva Papamargariti.”
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Rodrigo Valenzuela,Diamond Box, 2013
From “Screens Series: Rodrigo Valenzuela.”
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Gregory Kalliche,The Greatest Arrogance, 2016
From “Screens Series: Gregory Kalliche.”
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Ahaad Alamoudi,NIUN, 2018
From “Screens Series: Ahaad Alamoudi.”
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Naufus Ramírez-Figueroa,The Print of Sleep, 2016
From “Screens Series: Naufus Ramírez-Figueroa.”
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Heather Phillipson,TRUE TO SIZE, 2016
From “Screens Series: Heather Phillipson.”
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Dynasty Handbag, Vat Do You Vahnt for Bwekfas?, 2017
From “Screens Series: Dynasty Handbag.”
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Sara Magenheimer, Art and Theft, 2017
From “Screens Series: Sara Magenheimer.”
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Virginia Lee Montgomery, CUT COPY SPHINX, 2018
From “Screens Series: Virginia Lee Montgomery.”
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Helene Nymann, MOL (2017) (still). HD video, sound, color; 11:20 min. Courtesy the artist
Helene Nymann, MOL, 2017
From “Screens Series: Helene Nymann.”
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Luiz Roque, Zero, 2019. HD video, sound, color; 5:30 min. Courtesy the artist and Mendes Wood DM
Luiz Roque, Zero, 2019
From “Screens Series: Luiz Roque.”
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Kate Cooper, Infection Drivers, 2019 (still). Video, sound, color; 7:29 min. Courtesy the artist
Kate Cooper, Infection Drivers, 2019
From “Screens Series: Kate Cooper.”
April 29, 2020–October 9, 2020.
Randa Maroufi, Le ParK, 2015 (still.) Single-channel video, sound, color; 14 min. Production by Le Fresnoy. Courtesy the artist
Randa Maroufi, Le ParK, 2015
From “Screens Series: Randa Maroufi.”
April 7, 2020–October 9, 2020.