In this internet soap opera, a quest for enlightenment leads only to new-age kitsch.
Shana Moulton and Nick Hallett, Whispering Pines 10, 2018 (still). Digital video and web series in progress. Courtesy the artists
A collaboration between artist Shana Moulton and composer Nick Hallett, Whispering Pines 10 (2018) is a continuation of Moulton’s celebrated video series by the same name, and features a performance by the artist as her alter ego, Cynthia. The website offers a new format for Moulton’s premise: an episodic internet soap opera, with original music and libretto by Hallett.
The mountainous California landscape around Whispering Pines, the trailer park near Yosemite where Moulton was raised, serves as a backdrop to her cult video art series, its format inspired by Twin Peaks and Pee-wee’s Playhouse. In nine episodes dating back to 2002, Moulton appears as Cynthia—hypochondriacal, agoraphobic, and prone to surreal fantasies. Cynthia’s attempts to escape pain yield only fad cures; her quest for enlightenment leads to new-age kitsch.
Whispering Pines 10 sees Cynthia act out her desire to become an environmental activist, despite not being able to leave the house. Her efforts at self-care lead to anxious hallucinations. The attainment of comfort becomes an insurmountable challenge, heightened to mythic proportions and mediated by faulty technology. Just as peace is attained, disaster hits. The voice of a political activist calls out “What is your tree?” from a public service ad, and the question echoes in Cynthia’s mind, setting her on a quest to find a raison d’être. Decor and objects in her home offer solutions, serving as portals into her imagination; the artist has rendered these in blown-out pastel hues with lo-fi digital effects. Spirit guides sing to her in ecstasy as Cynthia discovers how to stage a sacrifice to the earth, with a ritual that connects political action to performance art.
Moulton’s performance is accompanied by an original musical score and libretto from composer Nick Hallett, who appears in the videos along with vocalists Daisy Press and Katie Eastburn. The web series is adapted from Moulton and Hallett’s electronic opera, which was developed at the New Museum in 2011 (in a process documented by Art21) and went on to tour art museums and performance festivals across the US. The duo received a Creative Capital grant to reshape Whispering Pines 10 for the internet.
Beginning on April 23, 2018, Cynthia’s odyssey will be unveiled over seven unique musical videos, which accumulate into a web series. Visitors may subscribe for updates on when new videos launch. At the completion of the seven-part serial, additional features will emerge—including audio remixes, critical responses, and musical downloads. The web site of Whispering Pines 10 is conceived here as the stage for a new kind of internet soap opera.
ABOUT THE ARTISTS
Shana Moulton is an artist, born and based in California, who works in video, performance, and installation. Moulton has had solo exhibitions at the Palais de Tokyo, Paris (2016); Kunsthaus Glarus, Switzerland (2016); Yerba Buena Center for the Arts, San Francisco (2015); and Fondazione Morra Greco, Naples, Italy (2013); and a retrospective of her work was held at the Museum of Fine Arts St. Petersburg, FL, in 2016. She has performed and screened videos at the Museum of Modern Art, the New Museum, Performa, the Kitchen, and Art in General in New York, as well as the Andy Warhol Museum, Pittsburgh; the San Francisco Museum of Modern Art; the Hammer Museum, Los Angeles; Portland Institute of Contemporary Art; Cricoteka, Krakow; and elsewhere. Moulton’s artistic process and the development of Whispering Pines 10 was profiled by Art21’s New York Close Up series. Her videos (including Whispering Pines 1 through 9) are distributed by EAI.
Nick Hallett is a Brooklyn-based composer, vocalist, and cultural producer working between the worlds of sound, art, and performance. “He draws on a wide range of seemingly contrasting musical genres—from indie rock to early Romantic to electronica to opera—to create arrangements that deploy the voice as an instrument” (Art21). His music has been presented in New York at the Brooklyn Academy of Music, the Whitney Museum of American Art, the Museum of Modern Art, the New Museum, Ecstatic Music Festival, Hayden Planetarium, the Public Theater, Town Hall, Performa, the Kitchen, Roulette, and National Sawdust, among many others. Hallett recently completed work on a trilogy of dance-theater scores for choreographer-director Bill T. Jones’s Analogy cycle, which he has been touring with the Bill T. Jones/Arnie Zane Dance Company for the past three years. He received a 2017 New York Dance & Performance “Bessie” award for his music in Variations on Themes from Lost and Found, a reconstruction of work by choreographer John Bernd (1953–88). Hallett is the music director of the Joshua Light Show and codirects the Darmstadt new music series.