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Exhibitions
Anna Craycroft: Motion into Being
Anna Craycroft (b. 1975, Eugene, OR) is the artist-in-residence during the Department of Education and…
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Simone Leigh: The Waiting Room
In her work, Leigh (b. 1968, Chicago, IL) demands that the concerns, roles, and rights of women of color…
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The Black School x Kameelah Janan Rasheed
The Black School and Rasheed share a longstanding commitment to education and art-making practices, and…
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Trigger: Gender as a Tool and a Weapon
“Trigger: Gender as a Tool and a Weapon” investigates gender’s place in contemporary art and culture…
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Simone Leigh: The Waiting Room
In her work, Leigh (b. 1968, Chicago, IL) demands that the concerns, roles, and rights of women of color…
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Beatriz Santiago Munoz: Song, Strategy, Sign
Her residency and exhibition at the New Museum is presented in the Fifth Floor gallery as part of the…
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Cheryl Donegan: Scenes and Commercials
In her performance and video work spanning the early ’90s to the early ’00s, Donegan often used her…
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Histories of Sexuality
These provocative presentations—each recreated here in abbreviated form and accompanied by select archival…
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Wynne Greenwood: “Kelly”
Greenwood is widely known for her work as Tracy + the Plastics, in which she plays all three parts in…
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The Great Ephemeral
Learn more about how to participate in “The Great Ephemeral”. “The Great Ephemeral”…
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Sarah Charlesworth: Doubleworld
Her influential body of work deconstructed the conventions of photography and gave emphasis to the medium’s…
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Chris Ofili: When Shadows Were Shortest
Chris Ofili joins a long list of visual artists who have famously crossed into the theater and dance…
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Gerard & Kelly: P.O.L.E. (People, Objects, Language, Exchange)
Presented as part of the “New Museum R&D Season: CHOREOGRAPHY” Gerard & Kelly (Brennan…
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AUNTSforcamera
Presented as part of the New Museum R&D Season: CHOREOGRAPHY Originating in Brooklyn, AUNTS is both…
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Pushing the Limits
Giving insight into the artist’s previous conversations with the institution, the exhibition features…
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2015 Triennial: Surround Audience
The Triennial’s predictive, rather than retrospective, model embodies the institution’s thirty-seven-year…
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