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Week of 03/11/2018–03/17/2018

Architecture tours are led by New Museum docents and focus on the Museum’s building, which was designed by the architectural firm SANAA. Architecture tours are free with Museum admission. No preregistration… Tours Architecture Tour
Please join us for a New Perspectives tour of the fourth New Museum Triennial, “Songs for Sabotage.” On this tour, we will examine how selected artists employ various media, including archival footage… Tours New Perspectives Tour
Join us for a presentation by author, theorist, and artist Evan Calder Williams. Williams’s contribution to the 2018 Triennial: “Songs for Sabotage” exhibition catalogue, an essay titled “The Kitten… Conversations Evan Calder Williams: A Theory of Sabotage
Kraus Family Curator Gary Carrion-Murayari will lead a private after-hours tour of the 2018 Triennial: “Songs for Sabotage.” RSVP by March 7 to membership@newmuseum.org or 212.219.1222 ×234. Premium Members & Above Membership Private Curatorial Tour: 2018 Triennial
This event is sold out. View other workshops in this series. In light of recent, widespread allegations of sexual misconduct in every sector, the New Museum is organizing a series of four workshops in… Sexual Harassment in the Cultural Sector: Changing the Balance…
In light of recent, widespread allegations of sexual misconduct in every sector, the New Museum is organizing a series of four workshops in order to provide tools, support, and guidance for both leaders… Sexual Harassment in the Cultural Sector: Dealing with Transgressions…
In light of recent, widespread allegations of sexual misconduct in every sector, the New Museum is organizing a series of four workshops in order to provide tools, support, and guidance for both leaders… Sexual Harassment in the Cultural Sector: Defining and Upholding…
In light of recent, widespread allegations of sexual misconduct in every sector, the New Museum is organizing a series of four workshops in order to provide tools, support, and guidance for both leaders… Sexual Harassment in the Cultural Sector: Drawing the Line
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